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Photo Set

darksilenceinsuburbia:

Joana Choumali

Hââbre, the last generation

1. Ms. Djeneba : ” I used to like my scars; they were beautiful. We used to brag about them. But, now, in the city, it is definitely out of fashion.”

2. Mrs. Sinou : “I refuse to do it to my children. This will stay on my face only.”

3.Mr. Konabé : “Our parents did this not to get lost in life. When you went somewhere, you could not get lost.”

4. Mr. Lawal : “It is here in town that I am ‘nobody’. In the village, I am a noble; people bow down when they see my face! I am proud of that.”

5. Mr. Salbre : “ I do not want this for my children. We are the last generation “

6. Ms. Martine : “When I was 10 years, I asked for them. I wanted to be like my brothers and sisters, and to show that I am courageous. “ 

7. Mr. Guemi : “I already wear my identity card on my face. This is the reason why people did it : to recognize one another. But now, this is over. We can no more be recognized.”

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(via asubzero)

Source: darksilenceinsuburbia
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facebooksexism:

thebluelip-blondie:

skeptikhaleesi:

brownglucose:

nextyearsgirl:

The absence of women in history is man made.

How petty

just look at babe ruth’s face tho

so confused

so lost

i love it

pure hater shit

Jackie Mitchell…a bad ass lady I had never heard of. 

(via asubzero)

Source: nextyearsgirl
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visualgraphc:

Principles of Design in Paper Art by Efil Turk

(via asubzero)

Source: behance.net
Photo Set

thecreativesense:

Explosion Cabinet, Look-Again Collection - Sebastian Errazuriz

With just a few simple pulls, this simple-looking maple wood cabinet quickly ‘explodes’ into a complex geometric form; with a single central seam that beckons the touch of the user. In moments the intricate series of rails slide apart and reveal the true nature of the product.

"A beautiful, surprising, and confounding work that represents the playful conceit of the master cabinet maker showing off" - Rachel Delphia, exhibition curator.

See more at: DesignBoom

(via asubzero)

Source: thecreativesense
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septagonstudios:

Javier Medellin Puyou

Source: behance.net
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instagram:

How I Shoot: Underwater Shark Photography with @michaelmuller7

For each How I Shoot, we ask an Instagrammer to tell us about their creative process. To see more of Michael’s photos from his shark expeditions, follow @michaelmuller7 and follow @discoverychannel as Michael takes over Discovery Channel’s Instagram account during Shark Week.

Michael Muller (@michaelmuller7) is on a mission to change the way we see sharks. “They are in a lot of trouble right now,” he says. “100 million are slaughtered every year, and I say slaughter because the majority of the time the shark is killed just for its fins.”

In his day job, Michael is a Hollywood-based commercial photographer renowned for his celebrity portraits and images used in box office billboards. But when he has free time, Michael devotes himself to documenting sharks in their native habitat around the world. He has even created an underwater strobe lighting system as powerful as the one in his California studio. “Realizing that I couldn’t bring the shark into the studio, I knew I would have to bring the studio to it,” he says.

The key to successful underwater shark photography, according to Michael, is staying relaxed. “Anxiety is the biggest obstacle,” he says. “If you let negative thoughts take hold then you are in for a really rough time.”

Michael uses Instagram to share images of his encounters in the deep. Here he tells us more about his process during and after his underwater excursions:

Equipment:

Phase One medium format with Nauticam, Nikon D800 with Subal Housing, Red Epic Dragon, GoPro and a “list of scuba equipment too long to enumerate.”

Vantage Point:

Because Michael rarely shoots from insides shark cages, he works closely with a team to be in the best position possible. “I have to constantly anticipate where the animal may go or do. What we look for always is what we call a ‘player,’which is a shark that is very mellow and curious that will stay around us. It is with sharks like this that magic happens.”

Shooting:

“It’s all about waiting for that right ‘moment’ to hit the trigger, which comes from 28 years experience. If you get too excited and go too fast then you miss that moment. If you wait too long you watch it happen and have the shot in your head, but no one else ever gets to witness it, so timing is everything.“

Editing:

Depending on the length of the shoot, Michael will return with between 3,000-10,000 photos. “I keep every image I take, I get rid of blank images but keep everything else,” he says. “With Instagram I usually post between 4-8 images from a particular trip.” For processing tools, Michael uses his own custom filters app MullerPhoto, and also the newest Instagram creative tools. “There are times I just go right into Instagram and just use its tools which are really getting more and more phenomenal.”

Source: instagram
Photo Set

roomonfiredesign:

Previously occupied by Auguste Perett, one of France’s most celebrated 20th-century architects, this 1930s Paris penthouse now seves as the weekend home of Dutch architect Felix Claus. Claus paid three years worth of rent in advance to gain permission to restore the apartment. Photos: Hotze Eisma.

(via acityofchildren)

Source: roomonfiredesign